1/6/2024 0 Comments Supercollider book![]() This can be confusing, but it’s an inevitable side effect of the flexibility of SC, which allows for many different approaches to generating and assembling material. In contrast to Digital Audio Workstation (DAW) software such as Pro Tools, for example, SC doesn’t present the user with a single “preferred” way of working. People often find it hard to make the jump from modifying simple examples to producing a full-scale piece. I encourage you to check it out, and of course, to get the book, which is full of insights and examples of how people have built whole artistic worlds using SuperCollider.The actual process of composing, and deciding how to go about it, can be one of the most difficult things about using SuperCollider. The chapter is illustrated with a number of class and sequence diagrams. I cover the implementation and usage of these mechanisms in detail, along with the concurrency structure of scsynth including threading and inter-thread communication. These mechanisms are two of the many aspects of the scsynth implementation described in the full book chapter available here. Thus less conditional logic need be executed for each Unit at each time step. For example, an envelope unit generator whose final state returns a constant could set its mCalc member to a function that simply returns the constant. One interesting by-product of this design is that a Unit can change its calculation function pointer at runtime - this can be used to implement a Unit with different states. Got it? The diagram above from the book chapter should help.Īllocating and evaluating Graph objects is relatively efficient because Unit instances are stored sequentially in a single memory block, and a Graph’s evaluation loop involves calling each Unit’s mCalc calculation function pointer in sequence. That is: scsynth has a dynamic graph of Nodes, some of which are Graphs whose purpose is to evaluate precompiled graphs of Units. In a slightly confusing case of overloaded terminology, scsynth defines a Node subclass called Graph, which evaluates a precompiled schedule of Units (unit generators). Type: PDF Date: October 2019 Size: 142.5MB Author: Juan Carlos Mendex. Precompiled Graphs and Unit calculation functions Download The Supercollider Book - Scott Wilson, David Cottle & Nick Collins. A general mechanism, also based on lock-free command queues, is provided to execute non-real-time operations (such as file i/o) asynchronously in a separate thread. ![]() When required, dynamic memory allocation is performed in the audio thread using a special-purpose thread-specific real-time memory allocator. They cause the Node graph to be modified, changing the signal flow and/or adding and deleting processing Nodes as necessary. These commands are interpreted at the start of each buffer period. In SuperCollider, the dynamic audio processing graph (the graph of Nodes) is a linked data structure that is traversed at each audio buffer period to compute audio data. Modifications to the dynamic Node graph are achieved by posting asynchronous commands to the real-time audio processing thread via a lock-free queue. Real-time dynamic audio graph manipulation ![]() The answer turned out to be simple and elegant. One thing that really interested me was how SuperCollider supported re-patching the audio signal processing graph in real-time without glitches or interruptions to the audio stream. Later, after SC became an open source project I performed initial work on porting scsynth to Windows, and in the process had a good look at what was going on in there. Luckily, SuperCollider’s creator James McCartney was active on the music-dsp mailing list and was open to answering questions and explaining how things worked under the hood. ![]() At that time, SuperCollider was a closed-source project and information about how it was implemented was fairly scarce. I first became interested in the internal workings of SuperCollider during the early days of AudioMulch development. I think this is great, because understanding SuperCollider’s server internals will be of interest not just to SuperCollider developers and users, but to anyone involved in creating dynamic real-time audio software. The publisher has been kind enough to allow my chapter on SuperCollider’s server internals to be posted online as a preview chapter here. Congratulations to everyone involved in bringing this to press. In case you haven’t heard, the SuperCollider Book is now available.
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